It’s less than a week until I leave for the UK to spend time catching up with family and friends. I have a ton of work to finish before I go, more on that later this week. Today I started work on a special gift with eco-printed pages.
First the rummage in the garden
Then bundling all the leaves and papers. I use ceramic tiles to keep the bundles tight and submerged.
Then off to the dye pot. And this was the beautiful result. I used a dusty pink commercial dye in the pot to tint the edges of the pages pink.
Next up binding and custom covers for this project and so much more! Okay enough procrastinating, back to the studio!
So, as I shared in my last post, on my way home from my workshop last week I broke a tooth, so my week started out at the dentists. I ended up needing a surgical extraction as the tooth had broken below the gum in my jaw. So my plans for this week we’re slowed to a snail’s pace while recuperating. I did start work on a project I have been thinking about for a couple of years after seeing Kevin Steele’s books at PBI.
I started with this accordion book form, those are Kevin’s PBI handouts under the book
Then I bound it to look like this
I want to add a black work binding to the spine, so next up was adapting a black work design from a period painting by Holbein
And then testing the pattern on some scrap paper
So now I am ready to translate all these sketches into the finished book, although I am going to wait to cut into the fancy paper until I am feeling more the thing.
On Monday I am starting a big restoration project, and teaching a kids workshop. I can’t believe it is almost time to go to the UK. Time flies!!
Summer = festivals. I have been busy making lots of blank journals to take to some festivals next month. And I’ve been posting pictures on my Facebook and Instagram as I finish things up. Here’s a few samples.
And these woven bindings
Which sparked some interest in how they were constructed. I haven’t made any of these in years so I had to think about where I first learned how to make them. I finally tracked it down to an Alissa Golden book, making handmade books. She calls it a cross structure binding.
To make it you need two soft covers twice the width of the signatures plus the width of the spine. I used two pieces of cardstock here.
You need an odd number of tabs cut out from each cover and spine, leaving just the front and back covers intact. Then I cut the slits in the front and back to coincide with the tabs.
To prepare the signatures mark where the two tabs cross the spine and add an additional station at each end for a kettle stitch
Then sew over the tabs and add a kettle at each end to secure the signatures
Then you just weave the tabs through the covers
If you want more detailed instructions I’d recommend the book, it has over 100 bindings.
Well back to work. Maybe I will see you at a festival later this summer.
Last weekend I took a workshop at WNYBAC with Jill Kambs. I have done plenty of printing and book binding, but never any gelatin plate printing, and I rarely make books with words, so I thought it would be great to try a new way of working.
I really tried hard to work fast and to pick materials I wouldn’t ordinarily choose, although I did cheat and work mostly in black and white. I swapped colors with others at the workshop, picking colours like peach and pink I would never usually pick. I was amazed by the delicacy of the prints, the texture. After about an hour I had a heap of prints, that looked as if they had been made by someone else, but sort of like me.
Once the prints dried, we selected and bound them into little pamphlet stitched books. Since I had worked in such a random way it was a challenge to make any sense of the images I had created. Deciding what went with what was a tricky process, mostly accomplished by eliminating the ones that didn’t fit. I managed to make 2 reasonably sensible compilations but I also had a lot of extra prints that made no sense with each other!
The last step was to do some simple Xerox transfers of text selected by Jill. Again working with someone else’s choices was hard for me. Words that speak to other people’s practice don’t always speak to your own.
Here’s the final product, I keep taking it out and looking at it. I can’t believe I made it honestly. It is subtle and delicate. Needless to say I’m pleased!
I’m so glad I took the workshop, and I can’t wait to try more gelatin printing. I hope I can keep the freshness working in my own space.
First time back in the studio really getting down to work. A while ago I started a series of snowflake inspired bindings. Yesterday I finally started another in the series.
I start out drawing on graph paper. All the snowflakes are being adapted from some illustrations of black work borders.
Next I copy that design onto a piece of graph paper mounted on some card stock.
Then I start sewing. As I go I write out the steps. Once I have figured out how to sew the pattern I make a book block. Cutting, folding and punching the signatures always seems to take forever! This design has 21 signatures! I draw a scale pattern of the binding to help punch the right holes in the right signature.
I bind the top and bottom to hold the tension even as I sew the design. Here I used a french link with a kettle on either side over a translucent ribbon with a little sparkle. Sometimes I use coloured thread for this stage, but I wanted to keep the focus on the snowflake for this one.
Here’s the sewing finished.
I have been trying to make bolder choices with my colours and patterns, to make things less “matchy”. The last step is glueing the covers and ribbons down.
About 8 hours later it is all done!
Feels good to add a new pattern to my repertoire. My goal is to draw them all up and publish them for others to use over summer break this year.
This semester I have a crazy teaching schedule, 5 classes at 3 different schools. It hasn’t left much studio time! I did finally wrap up the Berehinia book, I ended up hand dyeing some paper using tea and rust and making new covers.
She shipped out this week, along with “maple” and “women’s work” for this exhibit. I am so excited to have work included in this exhibit again! Can’t wait for the opening.
I am also working on a guest book commission, and a book for a DNA embroidery related exhibit. The binding was pretty easy to work out. But I had a crazy idea to hand stamp a human genome sequence inside. Where do these crazy ideas come from? Why do they come to me?!
Thankfully fall break is coming up this week at all 3 colleges, so I might get to play with some new ideas in the next few days.
Most of this week was spent on production binding for the 4th annual Bookfest at Western NY Book Arts Center. I also experimented with a few more long stitch word bindings.
Yesterday I spent a great day under my tent at Bookfest. I met some wonderful new people, saw some old friends and past professors from my time at UB, sold a few books and taught a mini workshop. If you are looking for the tutorial, it should be up later tonight.
Today I am exhausted! I did a few paste paper experiments for a workshop tomorrow and added some type to a few more brown paper lunch bag journals (another festival next weekend).
Now I am laying on the couch in the air conditioning, and I think a nap may well be in my future!