Summer’s swan song

Tomorrow the new school semester begins, so for this past week I have been rushing to cross things off my summer list. I’m feeling really ambivalent about teaching this year, so I think it is time to plan my leap. More on that thought to come, but for today, here’s the last update from my summer in the studio. To warm up this week I made this little guy, heavy flax covers from a deckle box several years ago, suede spine, twin needle cross stitch over two signatures, and it has pockets!

Feeling happy and confident I turned my attention to a piece that I wanted to finish for my exhibition at wnybac in September. When I first started making the blackout inspired bindings I really wanted to make an Elizabethan style collar, but I couldn’t quite make it work.

Then during PBI earlier this year I had a bit of an epiphany in Beatrice Coron’s class. I made myself a cut tyvek collar, and I experimented with this accordion folded Lacey cut.

So this week I was determined to get back to that first idea and see what I could make of it now. First up was a period inspiration, taken from a Holbein painting of Jane Seymour. In the painting you can see her blackworked cuffs, and so using that pattern I embarked on a new binding design.

I wanted to try binding this on the bench, so I drew a graph and started the binding. By the time I reached this stage it was pretty late at night. After many false starts where I lost my place and had to unpick my sewing, I went to bed feeling a bit defeated. (Following the graph is like sewing counted cross stitch, if you lose your place it’s really frustrating!) This was the end of day 1

The next day I decided to leave the final mistake in the pattern, as this was just a test and pushed on to the end of the pattern repeat. Here’s that binding

I am just going to have to pay really close attention when I do the real thing. So I put this aside and turned my focus to a paper lace page.

I love how this looks, but the book will need 46 more signatures folded and cut like this, so stay tuned patiently! Especially as now I will have to squeeze them in around teaching.

Ah well, back to the grind.

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Snowflake

First time back in the studio really getting down to work. A while ago I started a series of snowflake inspired bindings. Yesterday I finally started another in the series.

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I start out drawing on graph paper. All the snowflakes are being adapted from some illustrations of black work borders.

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Next I copy that design onto a piece of graph paper mounted on some card stock.

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Then I start sewing. As I go I write out the steps. Once I have figured out how to sew the pattern I make a book block. Cutting, folding and punching the signatures always seems to take forever! This design has 21 signatures! I draw a scale pattern of the binding to help punch the right holes in the right signature.

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I bind the top and bottom to hold the tension even as I sew the design. Here I used a french link with a kettle on either side over a translucent ribbon with a little sparkle. Sometimes I use coloured thread for this stage, but I wanted to keep the focus on the snowflake for this one.

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Here’s the sewing finished.

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I have been trying to make bolder choices with my colours and patterns, to make things less “matchy”. The last step is glueing the covers and ribbons down.
About 8 hours later it is all done!
Feels good to add a new pattern to my repertoire. My goal is to draw them all up and publish them for others to use over summer break this year.

Keeping my head above water!

This semester I have a crazy teaching schedule, 5 classes at 3 different schools. It hasn’t left much studio time! I did finally wrap up the Berehinia book, I ended up hand dyeing some paper using tea and rust and making new covers.

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She shipped out this week, along with “maple” and “women’s work” for this exhibit. I am so excited to have work included in this exhibit again! Can’t wait for the opening.

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I am also working on a guest book commission, and a book for a DNA embroidery related exhibit. The binding was pretty easy to work out. But I had a crazy idea to hand stamp a human genome sequence inside. Where do these crazy ideas come from?  Why do they come to me?!

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Thankfully fall break is coming up this week at all 3 colleges, so I might get to play with some new ideas in the next few days.