So, as I shared in my last post, on my way home from my workshop last week I broke a tooth, so my week started out at the dentists. I ended up needing a surgical extraction as the tooth had broken below the gum in my jaw. So my plans for this week we’re slowed to a snail’s pace while recuperating. I did start work on a project I have been thinking about for a couple of years after seeing Kevin Steele’s books at PBI.
I started with this accordion book form, those are Kevin’s PBI handouts under the book
Then I bound it to look like this
I want to add a black work binding to the spine, so next up was adapting a black work design from a period painting by Holbein
And then testing the pattern on some scrap paper
So now I am ready to translate all these sketches into the finished book, although I am going to wait to cut into the fancy paper until I am feeling more the thing.
On Monday I am starting a big restoration project, and teaching a kids workshop. I can’t believe it is almost time to go to the UK. Time flies!!
This summer it final feels as if I am getting this work/life balance thing down, okay honestly I am still a bit heavy on the work side, but this summer I am managing much more studio time for projects I want to be working on. There are still not enough hours in the day, but I am balancing out production work for clients and festivals like these lovely things
All of which will be making their debut at the Miller’s Park art fair at Chautauqua Institution on July 2nd and Bookfest in Buffalo on July 8th.
I’m also finding time to squeeze in work on a huge new installation and experimental new things, here’s a peek at the installation, women hold up half the sky
More to come on this soon!
I’m also hoping to check in here more often. I miss writing about my work, and I really feel that loss when I look back. Writing here helps me understand the cyclical nature of making, the natural ebb and flow of my year. It also helps me to see, I have been here before, this too shall pass, and most of all encourages me to find growth, change and renewal in my studio life.
Summer = festivals. I have been busy making lots of blank journals to take to some festivals next month. And I’ve been posting pictures on my Facebook and Instagram as I finish things up. Here’s a few samples.
And these woven bindings
Which sparked some interest in how they were constructed. I haven’t made any of these in years so I had to think about where I first learned how to make them. I finally tracked it down to an Alissa Golden book, making handmade books. She calls it a cross structure binding.
To make it you need two soft covers twice the width of the signatures plus the width of the spine. I used two pieces of cardstock here.
You need an odd number of tabs cut out from each cover and spine, leaving just the front and back covers intact. Then I cut the slits in the front and back to coincide with the tabs.
To prepare the signatures mark where the two tabs cross the spine and add an additional station at each end for a kettle stitch
Then sew over the tabs and add a kettle at each end to secure the signatures
Then you just weave the tabs through the covers
If you want more detailed instructions I’d recommend the book, it has over 100 bindings.
Well back to work. Maybe I will see you at a festival later this summer.
I have a show coming up in November. Trying to come up with a new body of work can be terrifying! I keep reminding myself that if I go into the studio and keep working then something will show up. So I have been trying hard to safeguard my studio time, and stop my teaching from eating up all my spare time. I have been setting a timer and when time is up I set my school work aside and get back to my “real” work. It’s working in terms of getting something done, but until this past weekend nothing terribly new or exciting was really happening. Things were feeling forced.
Then this past weekend, as part of our anniversary celebrations, hubby and I went to the Buffalo and Erie Botanical gardens. Not our usual kind of outing, but wow! First the building itself is magnificent.
And then just a few minutes in the cactus room, I was smitten with the sculptural shapes and textures. Instant inspiration!
Yesterday I pulled out some paper I made earlier in the year with my students, a combination of hosta, day lily and abaca. It smelled fresh and green and summery. I folded half sheets into accordions and bound them using a Coptic stitch on the valley ends to make this barrel like structure.
Then I embroidered the folded outer edges in red.
Then I sewed the loose ends of the accordions and folded back the raw edges
For a first crack at a cactus book, it’s not so bad! And like all interesting beginnings it just sparked many more ideas. It feels good to be working sculpturally and letting the materials speak and shape the object.
Looking forward to playing around with these ideas some more.
I had a hard time getting started today, the general anxiety of family worries hung over me. Eventually I sewed the binding for half a dozen more little brown lunch bag journals before starting the project I really wanted to work on, the finished incarnation of the Berehinia binding.
It took most of the afternoon to very carefully punch all the holes, and more time to set the tension with a double row of kettles at each end of the book block – slow going. I was using some beautiful antique Irish linen thread, but it had been wound tightly for a long time, so sewing with 4 needles involved several tangles!
By dinner time I was ready to start the fun part, sewing the exposed embroidered design. I designed the pattern and sewed the model 2 years ago, so even deciphering my decisions has been slow going. By late evening I am about a third of the way through the pattern.
Hopefully I will finish it up tomorrow.
Many of you may remember the map of hours I have been working on for AGES now, well here is a baby version – a tiny book of hours, each little page embroidered in the same way as the larger work by listening to the paper and following its lead, sometimes in circles, sometimes in completely new patterns. Here’s a little glimpse inside…
Want to own this little gem? It is headed off as a donation to the Morgan Conservancy for their annual benefit.
I am especially pleased with the beetroot dyed silk covers.
So glad to have finally finished something! And now back to grading and housework with a sense of accomplishment!
A friend recently donated some vintage fabrics to me, so I have been experimenting with some fabric covered books. This one is almost finished, it features part of a bonnet or apron, along with some Victorian lace trim and a gorgeous button. It was super time consuming, but in my favorite way, needle in hand. It feels good to be working in the studio after last weeks hectic pace.